Friday, April 20, 2018

fishhook daiquiri

1 1/2 oz Plantation Dark Rum
1/2 oz Punt e Mes
1/4 oz Luxardo Maraschino Liqueur
1/4 oz Simple Syrup
1/2 oz Lime Juice

Shake with ice and strain into a cocktail glass.

The Gonzalez Cocktail a few nights before reminded me of the great combination of Maraschino-Punt e Mes that occurs in the Red Hook, and my mind drifted into thinking about a Daiquiri utilizing these two ingredients. The Daiquiri idea popped into my head since I have had ones that call for either of these two ingredients but not both. In terms of the Maraschino, the Trader Vic's Daiquiri from his 1946 book consists of Puerto Rican rum, Maraschino, sugar, and lime juice, and this reappeared in 1972 as the Kona Gold with Demerara rum and a touch of Herbsaint; the idea also can be found in the Hemingway and Rum Club Daiquiris. And with the Punt e Mes, I had success with it in a rhum agricole Daiquiri variation that I dubbed the Dakkar Grotto. So why not give the two of them a whirl in a single drink?
For a name, I made a nautical riff on the Redhook and named this one the Fishhook Daiquiri. For a rum, I considered both a funky Jamaican like Smith & Cross and a rhum agricole, but I ended up keeping it simple with Plantation Dark. In the glass, the dark rum greeted the nose along with lime and nutty cherry aromas. Next, crisp lime danced with darker notes from the grape and rum's caramel on the sip, and the swallow offered the elegant effect of dark rum being modulated by bitter-nutty flavors.

Thursday, April 19, 2018


2/3 Rye Whiskey (1 3/4 oz Old Overholt)
1/3 Byrrh (3/4 oz)
1/12 Maraschino (1/4 oz Luxardo)
1 dash Picon Bitters (1/4 oz Torani Amer)

Stir with ice and strain into a cocktail glass; I added a lemon twist.
One of the recipes that I had spotted in Pioneers of Mixing at Elite Bars: 1903-1933 that called for Byrrh was the Carson which read much like a quinquina-for-vermouth version of the Brookyln Cocktail. Once stirred and strained two Thursdays ago, the Carson offered up lemon oil, nutty cherry, and hints of grape to the nose. Next, malt and grape came through on the sip, and the swallow presented rye with nutty cherry flavors flowing into orange ones; as the drink warmed up, the finish gained quinine and bitter orange notes. The end result reminded me a bit more of the Prospect Park than the Brooklyn, or perhaps it fell somewhere half way between the two.

Wednesday, April 18, 2018

golden delicious

2 oz Apple Brandy (Boulard VSOP Calvados)
3/4 oz Honey Syrup
3/4 oz Lemon Juice

Shake with ice and strain into a double old fashioned glass with ice.
Two Wednesdays ago, I turned to A Spot at the Bar for my evening's refreshment. There, I was lured in by the Golden Delicious that was attributed to NYC bartender Jim Kearns as an apple-for-whiskey Gold Rush variation. As I later sleuthed the web, I learned that Jim had created this recipe at the Pegu Club in Fall 2006 using Laird's 7 1/2 Year Apple Brandy. Since apples and honey are a natural pairing, I decided to give this one a whirl. The apple from the Calvados rang out rather strongly in the nose along with floral notes from the honey. Next, the honey continued on into the sip where it was balanced by crisp lemon notes, and the swallow offered apple finishing tart from the lemon.

Tuesday, April 17, 2018


1 1/2 oz Famous Grouse Blended Scotch
3/4 oz Amaro Montenegro
3/4 oz Byrrh Grand Quinquina
2 dash Bittermens Mole Bitters

Stir with ice, strain into a cocktail glass, and garnish with an orange twist.

Two Tuesdays ago, I finally bought a bottle of Byrrh Quinquina for the home bar, for I had stored up enough recipes to make the purchase feel worth while. To kick off the bottle, I selected a recipe from Manhattan's Amor y Amargo that was published in a Punch Drinks article in 2017. I was able to sleuth out that the recipe was crafted there by Chris Elford circa 2012, and I when I tagged Chris on my Instagram post, he replied, "The Casualty Cocktail was the start to my love affair with Scotch + Monty + chocolate. Still a flavor combo I crave."
Once prepared, the Casualty gave forth a bright orange oil aroma that countered the peat smoke and hints of grape and other fruit on the nose. Next, grape and malt mingled on the sip, and the swallow was a delightful Scotch, dark berry, and tangerine combination that ended with chocolate and woody bitterness on the finish.

Monday, April 16, 2018


2 oz Beefeater Gin
3/4 oz Punt e Mes
1/4 oz Luxardo Maraschino Liqueur
2 dash Bitter Truth Aromatic Bitters (Jerry Thomas Decanter)

Stir with ice and strain into a cocktail coupe.

Two Mondays ago, I reached for the Death & Co. Cocktail Book for a nightcap to round out the evening. There, in the gin section, was Phil Ward's 2008 tribute to Death & Co. bartender Jessica Gonzalez who started as a cocktail waitress and progressed to become their first female bartender. I had previously written about one of Jessica's drinks from that book called the Night Watch, and Phil's Gonzalez reminded me of a Martinez with Punt e Mes in place of the sweet vermouth.
Once stirred and strained, the Gonzalez offered up a juniper and fruity note from the Maraschino and grape to the nose. Next, grape and hints of cherry filled with sip, and the swallow showcased gin merging into a bitter cherry and spice. This combination of Punt e Mes and Maraschino immediately reminded me of the flavor backbone of Eastern Standard's Prospect Park.

Sunday, April 15, 2018

coats house

2/3 Rye Whiskey (2 oz Old Overholt)
1/6 Sherry (1/2 oz Lustau Amontillado)
1/6 French Vermouth (1/2 oz Dolin Blanc)
1 dash Crème de Noyaux (1 bsp Tempus Fugit)
1 dash Angostura Bitters

Stir with ice and strain into a cocktail glass.

Two Sundays ago, I ventured into Pioneers of Mixing at Elite Bars: 1903-1933 for an intriguing gem that I have somehow passed over through the years. There, I stumbled upon the Coats House that seemed like it would be an interesting Manhattan riff with perhaps a nutty sherry pairing the with the crème de noyaux. I probably skipped over this recipe when I interpreted French vermouth as dry vermouth, but with blanc vermouth as an option, I could use a drier sherry instead of opting for Pedro Ximenez as the sweetener. My search for what the drink could be named after yielded a historic English-style cottage in North Carolina that was built around 1860; while the house was important enough for a Wikipedia entry, was it important enough to have a drink named after it?
In the glass, the Coats House proffered a nutty apricot bouquet to the nose. Next, malt and grape on the sip slid into rye, nutty, and floral flavors on the swallow with an orchard fruit and clove spice finish.

Saturday, April 14, 2018

the count rides again

3/4 oz Funky White Overproof Rum (Privateer Tres Aromatique) (*)
1/4 oz Demerara 151 Proof Rum (Lemon Hart 151)
1 oz Campari
1/2 oz Don's Mix (BG Reynolds) (**)
1/2 oz Falernum (Velvet)
1 bsp Grenadine
1 dash Angostura Bitters
6 drop Absinthe (St. George)

Stir with ice, strain into a rocks glass with ice, and garnish with a grapefruit twist (an orange twist would work well here too).
(*) A Jamaican rum like Wray & Nephew or perhaps even rhum agricole or Batavia Arrack would well work here.
(**) Two parts grapefruit juice to one part cinnamon syrup; BG Reynolds syrup is a bit sweeter than the freshly made combination.

On Easter Sunday, I was contemplating all of the drinks that get utilized for Easter including the Corpse Reviver, Rusty Nail, and the Zombie. My mind began to play with the 1934 Zombie recipe, and I wondered if I could make a hybrid drink with a Rum Negroni. I began to parse the Zombie into three aspects: the rums, the crisp lime, and the modifiers. What if I were to remove the lime and replace it with Campari, and make each component around a third of the drink's build? For a name, I thought about how Count Camillo Negroni was a cowboy in America before he returned to Italy to create the gin legend, and perhaps an undead Count Negroni could return on horseback; therefore, I dubbed this one The Count Rides Again. It is neither Zombie nor Negroni, but a monster composed of parts of each of them. Indeed, the Don's Mix, falernum, grenadine, bitters, and absinthe combination of the Zombie has many of the fruity, spiced, and herbal qualities found in the Negroni's sweet vermouth.
The twist and the Don's Mix seemed to dominate the drink's aroma with grapefruit and cinnamon notes. Next, a rich and citrussy sip led into funky rum, bitter orange, and cinnamon on the swallow in a rather complex combination akin to the layers of flavor in the classic Zombie. Given the bold notes here and reduced volumes of the the rums relative the Zombie, utilizing robustly flavored and overproof rums will help them from getting lost in the shuffle.

Friday, April 13, 2018

special order 191

1 1/2 oz Bulleit Bourbon (Old Grand-Dad Bonded)
3/4 oz St. Germain (St. Elder)
3/4 oz Lillet Blanc (Cocchi Americano)
1/4 oz Averna
3/4 oz Lemon Juice
1 dash Peychaud's Bitters

Shake with ice, strain into a Collins glass with ice, top with soda water (2 oz), and garnish with an orange slice (orange twist).

Two Fridays ago, I ventured back in Tales of the Cocktail history to their 2009 Stir Your Soul book where I spotted the Special Order 191 by Toby Maloney of the Violet Hour. Toby served this drink at one of the Tales events that year, and he named this Collins-like number after a September 1862 dispatch from Robert E. Lee's during the Civil War that was lost in transit. It was discovered by Union soldiers shortly after that, and it became a crucial part of Major General McClellan's plans to thwart the Confederates in the Maryland Campaign.
Since I could not decipher the relation of the drink name's history to the build, I moved on to assembling this libation to see if the taste alone would satisfy my curiosity. The Special Order 191 in a glass began with an orange and elderflower bouquet that offered hints of Bourbon to the nose. Next, a carbonated lemon and fruity sip led into whiskey, elderflower, and grapefruit-orange flavors on the swallow.

Thursday, April 12, 2018

patent pending

1 1/2 oz Smith & Cross Rum
3/4 oz Batavia Arrack
1/2 oz Aperol
1 tsp Don's Mix (BG Reynolds)
1 tsp Vanilla Syrup
2 dash Amargo Peruvian Bitters

Stir with ice, strain into a double old fashioned glass with a large ice cube, and garnish with grapefruit oil from a twist.

I was in a rum mood two Thursdays ago, so I selected the rum edition of the 2012 The Cocktail Hour booklet series. The Rum Old Fashioned of sorts called the Patent Pending stood out as a curiosity with Jamaican rum paired with Batavia Arrack and sweetened with Aperol and light touches of two classic Tiki syrups. The Patent Pending originated at the Teardrop Lounge where it was crafted by bartender Brian Gilbert, and I was able to find a reference to this drink as early as 2010 in an interview with BG Reynolds Syrups creator, Blair Reynolds, where he was asked what was his favorite cocktail using his products. He replied, "Brian over at Teardrop Lounge made up a wonderful drink called the Patent Pending, though it could just as easily been called 'Blair Candy,' since it contains pretty much everything I like."
The Patent Pending began with grapefruit oil aromas that brightened the complex funk from the Jamaican rum coupled with the Indonesian spirit, and later touches of cinnamon joined the nose. Next, the sip was rich from the sweeteners and shared a hint of caramel from the aged rum, and the swallow gave forth funky rum and grapefruit flavors with a cinnamon and bitter finish from the Aperol and Peruvian bitters.